Two artworks created to accompany an editorial piece about David Lynch’s legacy in film and television and his passing in early 2025. These composite artworks explore the visual themes often used in Lynch’s pieces, including cigarettes, black coffee and cherry pie, as well as a black, white and red colour palette and grainy
texture overlay.

A pair of posters designed for the Rob Reiner’s 1986 film Stand By Me. The first poster utilises a simple two-tone Pantone colour palette and exemplifies the film’s themes of adventure, brotherhood and coming of age. The second poster is darker and more gritty, placing an emphasis on the darker themes of the film.

A trio of posters designed around the theme of the fight for women’s rights in Australia. These posters feature the suffrage movement, the creation of the contraceptive pill and the continuing fight against gender based violence, all of which are paramount events in women taking back their rights and bodily autonomy.

These posters are typography based, wherein lettering and type become important elements of design through shape, pattern and texture.

Inspired by vintage travel posters, this poster featuring the iconic Astor Theatre in St Kilda pays homage both to the venue and to the colour palettes, textures and typography style of the year the theatre was opened.

This poster is a primary piece of promotional material for a conceptual retrospective exhibition showcasing the work of fashion designer, scientist and architect Iris Van Herpen. In the poster, Van Herpen’s use of pattern and repetition is exemplified through the layering of the title Echoes, whilst the use of dark blue and bold orange emphasise her modern and daring art style.

A composite image inspired by the pictorialism movement in photography which was defined by early photo manipulation practices, dramatic lighting and a soft focus creating a spooky, romantic atmosphere.